New PDF release: Composing for the Red Screen: Prokofiev and Soviet Film

By Kevin Bartig

Sound movie captivated Sergey Prokofiev in the course of the ultimate 20 years of his lifestyles: he thought of composing for almost dozen photographs, finally project 8 of them, all Soviet productions. Hollywood luminaries resembling Gloria Swanson tempted him with commissions, and arguably extra humans heard his movie track than his efforts in all different genres mixed. motion pictures for which Prokofiev composed, specifically these of Sergey Eisenstein, at the moment are classics of global cinema. Drawing on newly on hand resources, Composing for the pink Screen examines - for the 1st time - the complete volume of this prodigious cinematic career.

Author Kevin Bartig examines how Prokofiev's movie song derived from a self-imposed problem: to compose "serious" tune for a wide viewers. the image that emerges is of a composer looking a person film-music voice, shunning Hollywood types and objecting to his Soviet colleagues' ideologically expedient movie songs. taking a look at Prokofiev's movie track as a complete - with recognized blockbusters like Alexander Nevsky thought of along extra imprecise or aborted initiatives - unearths that there have been a number of options to the problem, every one with various levels of good fortune. Prokofiev conscientiously balanced his personal populist time table, the perceived aesthetic calls for of the flicks themselves, and, in a while, Soviet bureaucratic calls for for accessibility.

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By Kevin Bartig

Sound movie captivated Sergey Prokofiev in the course of the ultimate 20 years of his lifestyles: he thought of composing for almost dozen photographs, finally project 8 of them, all Soviet productions. Hollywood luminaries resembling Gloria Swanson tempted him with commissions, and arguably extra humans heard his movie track than his efforts in all different genres mixed. motion pictures for which Prokofiev composed, specifically these of Sergey Eisenstein, at the moment are classics of global cinema. Drawing on newly on hand resources, Composing for the pink Screen examines - for the 1st time - the complete volume of this prodigious cinematic career.

Author Kevin Bartig examines how Prokofiev's movie song derived from a self-imposed problem: to compose "serious" tune for a wide viewers. the image that emerges is of a composer looking a person film-music voice, shunning Hollywood types and objecting to his Soviet colleagues' ideologically expedient movie songs. taking a look at Prokofiev's movie track as a complete - with recognized blockbusters like Alexander Nevsky thought of along extra imprecise or aborted initiatives - unearths that there have been a number of options to the problem, every one with various levels of good fortune. Prokofiev conscientiously balanced his personal populist time table, the perceived aesthetic calls for of the flicks themselves, and, in a while, Soviet bureaucratic calls for for accessibility.

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Read or Download Composing for the Red Screen: Prokofiev and Soviet Film (Oxford Music / Media) PDF

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Composing for the Red Screen: Prokofiev and Soviet Film (Oxford Music / Media) by Kevin Bartig


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